• Cocktails,  Crime Fiction,  Music

    Spring Break Meditation

    It is the end of Spring Break, at least where I write. The end of the week always puts one in mind of the spring-breaker classic “Where The Boys Are” (1960). Here, after everyone else has left the beach and gone back to school, Merritt (Delores Hart) ponders love with Brown senior Ryder (George Hamilton): Crime Fiction To keep you current, here is a “Revue of Reviewers” from Rap Sheet, as well as recent reviews from the Irish Times, the Guardian and Crime Fiction Lover. Music An updated “White Collar Wire” is out on Spotify. New this week are Liily, The White Buffalo, Johannes Brahms, The Allman Brothers, Black Sabbath,…

  • Music

    Music for White-Collar Crime

    The “White Collar Wire” playlist on Spotify has been updated: New entrants since the last update include Arnold Schoenberg, Howard Shore, Dire Straits, Gary Clark, Jr., and The Cold Stares.

  • Film,  jazz,  Music

    Music for White-Collar Crime

    I have never created the soundtrack for a film, nor do I have the competence to do so.   I imagine, though, that it is very difficult to get right.  Assembling a “soundtrack” for a cultural and legal lagoon like white-collar crime is not easy, either, and subject to much subjectivity. Nevertheless, here below is my Spotify effort.  The list includes Bach, The Last Mr. Bigg,  Miles Davis, Lana Del Ray, Duke Ellington, Jimi Hendrix, The Modern Jazz Quartet, Mozart, The Steve Miller Band and Warren Zevon. Please follow the  “White Collar Wire” playlist on Spotify.  I plan to refresh it every other Sunday.    

  • Cocktails,  Crime Fiction,  Music

    New Year’s Day: Reflection, Not Resolution

    Reflection without discipline can be self-indulgent, especially as the year draws to a close and a new one opens before us. So, let us impose discipline; avoid white-collar crime (there will be plenty in 2018); and focus on music, booze and books. First, music is especially appropriate at this season, whether for reflection or not.  Here is the Miles Black Quintet, Jazz For The New Year: As jazz critic for the Wall Street Journal (and JazzWax blogger) Marc Myers notes: Sixty-three years ago, on New Year’s Day in 1955, pianist Teddy Wilson, bassist Milt Hinton and drummer Jo Jones went into a studio for Norgran Records and recorded The Creative…